Aureliano de beruete biography channel
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Publisher Description
The exhibition of Spanish Painting held in London in the galleries of the Royal Academy from November to January last, excited a lively interest in the English public and inspired numerous articles on the subject in English journals and reviews. If all of these were not in accord on certain issues and critics adopted various points of view, it may still be said that the crowds of visitors which it attracted and the manifold expressions of opinion it evoked supply the clearest evidence that the exhibition aroused the curiosity of the English public, and consequently may be regarded as a triumph for Spanish art and a success for its promoters.
The reasons underlying the interest which Spanish art awakens to-day in enlightened circles (this is the second exhibition of the kind which Spain has of late witnessed beyond her borders, recalling that of Paris in ) are worthy of reflection and may be said to have inspired the Royal Academy’s exhibition.
Spain—her life, history, customs, art—is often regarded subjectively as though enveloped in a haze, or through the medium of legend, which, however accommodating it may be to literary expression, is by no means conformable to the facts of history or present realities. Viewed in this picturesque manner and beca
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Aureliano de Beruete
Aureliano de Beruete y Moret was a Spanish painter active in the late 19th and early 20th centuries. He was born in Madrid and spent most of his life there, though he traveled widely.
Beruete started out to be a lawyer, earned his doctorate, but at the same time studied painting with Carlos Múgica. He initially embarked on a career as a politician and became a member of of Parliment, not a career normally thought of as a cross over with painting (Winston Churchill notwithstanding), but eventually choose the artistic path and studied with Martin Rico and Carlos de Haes at Academia de Bellas Artes de San Fernando in Madrid.
Martin Rico was one of the Spanish precursors of Impressionism, and picked up some of the same influences as the French Impressionists through time spent with the Barbizon painters; and Carlos de Haes played a major role in bringing the Impressionist passion for plein air painting to Spain
They both undoubtedly had an impact on their student Beruete, who became one of the most significant Spanish exponents of the Impressionist characteristics of open brushwork and location landscape painting. His palette was a bit darker, however, and he always showed the influence of great Spanish masters of the past, including Diego Vel&aac
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Aureliano label Beruete
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