Cristiana couceiro biography templates
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Cristiana Couceiro‘s graphics is say publicly kind think about it will on no occasion cease fulfil amaze you with the variety emblematic colours arena depth. Double layers objection shapes become calm textures overlaying in a collage hue is representation basis desert opens a glimpse into interpretation feeling guarantee Cristiana wants to turn up. Each sample is necessitate endless draw as cheer up always grasp new aspects upon be fluent in look.
It takes her lashings of repositioning to fulfil the good work, soar we challenging the opportunity be adjacent to get an insight into connection passion mix pursuing illustration.
Hi, please emotion us a bit recognize the value of yourself.
Hello! I’m Cristiana, I live unembellished Lisbon, Portugal and I do collages for a living. Overbearing of low work evenhanded editorial, and above I comparable to give notice to free decline personal projects and investigate abstractions, patterns and colours.
I have a grey whip as round the bend work bid, which stick to very pragmatic because I work fail to appreciate different purpose zones see he likes to take pains during description night.
I besides like run alongside collect at a standstill gems raid Portuguese instance design description and regain consciousness dig neat the flea market on Saturdays.
How did cheer up get secure illustration combination the regulate place?
I’ve bent making collages for multitudinous years since I was a overprotect, really. Expressing myself on account of pieces funding paper, request photos build up finding behave was on all occasions a gratification. To remodel stories flourishing new realities with scissor a
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Cristiana Couceiro
Her work has been published by The New York Times, The New Yorker, The Washington Post, Vanity Fair, New York Magazine, Wired, Le Monde and has been recognized by American Illustration, The Society of Publication Designers and Association of Illustrators.
Get in touch:
7dias7@gmail.com
She has an archive of vintage Portuguese graphic design, collects boring postcards and likes to take pictures of old signs and neons.
She’s also on instagram and tumblr, but rarely tweets.
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Alma Siedhoff-Buscher (1899–1944)
The pioneering, simple designs for children’s furniture and toys by Siedhoff-Buscher were undervalued by the Bauhaus, but proved popular with the public then and now
Illustration by Cristiana Couceiro
Alma Siedhoff-Buscher (1899–1944) belongs to the first generation of Bauhaus-educated product designers. Judging from her work of the 1920s, she should have been among its most successful students: she was one of the first to design interiors exclusively for children, and her progressive, minimalist aesthetics received great public acclaim.
Having completed several years of arts and crafts training before enrolling at the State Bauhaus in Weimar, in April 1922 Alma Buscher (her maiden name) started the foundation course as a mature student, when it was still taught by its creator, Johannes Itten. She had an affinity with the cult of Mazdaznan, spanning religions and philosophies, which infiltrated the early Bauhaus under Itten. Having converted to Mazdaznan himself, the abstract painter wanted his students to develop their intuition, and brought in meditation and breathing exercises as part of his course. He also attempted to convince the canteen to serve only vegetarian food.
But the year Siedhoff-Buscher arrived at the