Impresionismo manet edouard biography
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In 1874, a group of artists called the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibition in Paris that launched the movement called Impressionism. Its founding members included Claude Monet, Edgar Degas, and Camille Pissarro, among others. The group was unified only by its independence from the official annual Salon, for which a jury of artists from the Académie des Beaux-Arts selected artworks and awarded medals. The independent artists, despite their diverse approaches to painting, appeared to contemporaries as a group. While conservative critics panned their work for its unfinished, sketchlike appearance, more progressive writers praised it for its depiction of modern life. Edmond Duranty, for example, in his 1876 essay La Nouvelle Peinture (The New Painting), wrote of their depiction of contemporary subject matter in a suitably innovative style as a revolution in painting. The exhibiting collective avoided choosing a title that would imply a unified movement or school, although some of them subsequently adopted the name by which they would eventually be known, the Impressionists. Their work is recognized today for its modernity, embodied in its rejection of established styles, its incorporation of new technology and ideas, and its depict
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E. Manet, Portrait of Character Zola, 1868. |
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Édouard Manet
French painter (1832–1883)
"Manet" redirects here. For other uses, see Manet (disambiguation).
Not to be confused with Claude Monet, another painter of the same era.
Édouard Manet | |
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Manet in 1866 or 1867 | |
| Born | (1832-01-23)23 January 1832 Paris, Kingdom of France |
| Died | 30 April 1883(1883-04-30) (aged 51) Paris, France |
| Resting place | Passy Cemetery, Paris |
| Known for | Painting, printmaking |
| Notable work | |
| Movement | Realism, Impressionism |
| Spouse | |
Édouard Manet (, ;[1][2]French:[edwaʁmanɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) or Olympia, "premiering" in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. Th