Motherjane insane biography sample
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When John Thomas sits with his lime soda, calmly talking about angelic numbers and spirituality, you do not raise a brow. If you know Motherjane, the band he has been shaping since the winter of 1996, and the music they have been playing, you will give John an understanding nod. Of course. This is the band that sang You’re not here in body /Yet your songs with us remain / Like waves that will not weary / To claim these shores again (‘Fields of Sound’ from Maktub). In 2022, Motherjane, bringing out its third album – an extended play (EP) of four tracks called 1 1 1 – still sticks loyally to its core beliefs, but deviates largely from the genre it had introduced to a generation of young rock lovers in the 2000s.
“All of it comes from the calmness we let ourselves grow into, in the years that passed. There is no more ‘pushing’ to get things done. It is instead a path of least resistance. That’s how the music gets made now. It began with Clay Play, a single we brought out a few years ago, and is now part of the EP,” says John, the eternal drummer of the band.
Stop looking outside
Draw down that feeling
Not because the sun is shining
Can you plough a field
By turning it around in your mind
That’s from Clay Play, released in 2015. Motherjane fans noticed a
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Motherjane: An Indian Tale
I am a sucker for stories. And Motherjane (they prefer spelling it with a lower-case ”˜m’) sure has a lot of them. There’s the one about guitarist Deepu Sasidharan walking ”“ and occasionally running ”“ the fifteen-odd kilometres back home every day past midnight from the Kochi, Kerala, hotel he used to play at. Only so that he could save up the money to buy his first guitar unit. “The last bus would be at 9.30, and autos would be too expensive,” says Sasidharan. “And at night, the street dogs get really wild, chasing bikes and people. So I would collect small stones in my pocket to fling at them, and mark out spots on the road that had stones I could pick up the next day,” he says. “A true rock musician,” laughs vocalist Suraj Mani. Then there is the story about how lead guitarist Baiju Dharmajan used to keep his homemade guitar pedal from falling apart using cellotape. “Good equipment was not easy to come by in those days,” says the soft-spoken guitarist. And then there is the story of a young John Thomas seeing a drum kit for the first time in his life. “Pop used to take me to The International Hotel [in Kochi] and 13AD [forerunners in the Eighties rock scene in Kerala] were playing. I was like 5-6, and when I saw this kit, I was awestruck,” says
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Motherjane
Maktub
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