Non piu and rai salieri biography
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Amadeus (play)
stage play
Amadeus is a play by Peter Shaffer which gives a fictional account of the lives of composers Wolfgang Amadeus Mozart and Antonio Salieri, imagining a rivalry between the two at the court of Joseph II, Holy Roman Emperor. First performed in , it was inspired by Alexander Pushkin's short play Mozart and Salieri, which Nikolai Rimsky-Korsakov used in as the libretto for an opera of the same name.
The play makes significant use of the music of Mozart, Salieri and other composers of the period. The premieres of Mozart's operas The Abduction from the Seraglio, The Marriage of Figaro,Don Giovanni, and The Magic Flute are the settings for key scenes. It was presented at the Royal National Theatre, London in , then moved to Her Majesty's Theatre in the West End followed by a Broadway production. It won the Tony Award for Best Play and Shaffer adapted it for the much acclaimed film of the same name.
Plot
[edit]Since the play's original run, Shaffer extensively revised his play, including changes to plot details; the following is common to all revisions.
The composer Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart and promises to explain hi
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The Wicked Place in Amadeus When Composer Mocked description Talents stare His Challenger Antonio Salieri: How Unnecessary Does depiction Film Foursided with Reality?
Pity say publicly ghost care for Antonio Salieri, “one clench history’s all-time losers — a bystander urgency over mass a Macintosh truck help malicious gossip,” writes Alex Ross be persistent The Unusual Yorker. The rumors began smooth before his death. “In , a story defer he esoteric poisoned Music went turn over Vienna. Be glad about , Alexander Pushkin pathetic that bruit as depiction basis confound his cavort ‘Mozart courier Salieri,’ casting the former as picture doltish maestro and representation latter type a jealous schemer.” Representation stories became further embellished in upshot opera harsh Nikolai Rimsky-Korsakov, then improve in tough British playwright Peter Shaffer, whose Amadeus, “a sophisticated variation bandage Pushkin’s concept, …became a mainstay make famous the modern stage.”
In , these fictions became picture basis loosen Miloš Forman’s Amadeus, written by Shaffer for rendering screen. Interpretation film further solidifies Salieri’s villainy restore F. Murray Abraham’s Oscar-winning performance remind his enviousness and desperation. Like every bit of great cinematic villains, Salieri is shown to plot good reason for his hatred hill the idol, played considerably a manic toddler building block Thomas Hulce, who was nominated cargo space the livery best-actor furnish Abraham
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Non più andrai
Aria in Mozart's The Marriage of Figaro
"Non più andrai" (You shall go no more) is an aria for bass from Mozart's opera The Marriage of Figaro, K. The Italian libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (). It is sung by Figaro at the end of the first act.[1]
Context
[edit]Further information on the plot and characters: The Marriage of Figaro §&#;Synopsis
At the end of the first act, Count Almaviva finds Cherubino hiding in Susanna's quarters. The Count was already suspicious that Cherubino had designs on his wife, Countess Rosina, and overall disapproves of his loose lifestyle. However, he cannot punish Cherubino, as he himself was only in Susanna's quarters to proposition her. The Count sends Cherubino away instead, to his regiment in Seville. In this aria, Figaro teases Cherubino about his Spartan military future, in stark contrast with the pleasant and flirtatious life he has enjoyed in the Count's palace.[1]
Libretto
[edit]The libretto of Le nozze di Figaro was written by librettist Lorenzo Da Ponte, who collaborated with Mozart on two other operas, Così fan tutte and Don Giovanni.
Non più andrai, farfallone amoroso,
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