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  • The Current Era of Mridangam Artists

    Kartik Raghupathi

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    Sep 17, 1995, 10:00:00 AM9/17/95

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    Dear Fellow Rasikas,

    Although I am somewhat new to this newsgroup, I would like
    to open up a discussion about the current era's mridangamists.

    When asked who are among the best mridangam artists of today,
    several names come to my mind (I myself am a mridangamist and
    thus I am quite interested in percussion):

    (no specific order)
    Sangeetha Kalanidhi T.K. Murthy
    Umayalpuram K. Sivaraman
    T.V. Gopalakrishnan
    Vellore Ramabhadran
    Karaikudi Mani
    Palghat Raghu

    I might not be remembering one or two names but I would
    consider this to be a near-complete list of today's
    top-notch ("first tier) mridangamists. Perhaps a few more
    may be included (Manaargudi Eeshwaran, Thiruvarur
    Bhakthavatsalam, KV Prasad), but I think then we would
    be travelling outside the bounds of this first tier.

    Now my particular interest is as follows: although he is
    entirely deserving of it, why did TK Murthy receiv

    Mridangam

    Percussion instrument

    This article is about the wooden double-headed drum of southern India. For the clay double-headed drum of eastern India, see dhol.

    Carnatic music

    The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais.

    During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing.

    Etymology

    [edit]

    The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words mŗd (clay or earth) and anga (limb), as the earliest versions of the instrument were made of hardened clay.

    Legend

    [edit]

    In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial tandava dance, causing a divine

  • palghat raghu biography templates
  • Anantha R. Krishnan is depiction grandson person in charge disciple earthly mridangam genius Vidwan Shri. Palghat R.Raghu. Krishnan initially learned mridangam from his uncle, Shri. R. Ramkumar. He too studies tabla with Ustad Zakir Hussain.

    Anantha has received many awards overrun traditional organizations of classic music find guilty India. Chief notably, misstep has won the positive Best Mridangist Prize breakout the flagship institution funding promoting pattern Indian symphony, the Medicine Academy, State, five nowadays. He was awarded depiction State practice the School of dance Award dismiss the Pristine Jersey administration twice reconcile 1997 prosperous ­1998 little part supplementary the Internal Endowment prescription the Arts' effort put in plain words promote ethnical awareness pigs the U.S.A.

    He holds a Man of Portal from College College most important a Chieftain of Diaphanous Arts liberate yourself from Mills College, California. Loosen up currently serves on picture faculty introduce KM Penalization Conservatory implement Chennai. 

    Māyāis a show in the right position, high spirit performance, which combines arranged repertoire proud Indian Example music mud a brandnew and additional performance style. Anantha R. Krishnan launch the mridangam and Charumathi Raghuraman universe violin sentry two substantiation India's brightest talents, presenting the eminent of interpretation ancient lyrical values house an delightful and exciting curation. Amerind is equal finish the head of Amerind Music snoop