Alessandro balteo yazbeck biography
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Galerie Martin Janda
Born in Caracas (VEN)
Lives be proof against works fence in Berlin (DE)
Alessandro Balteo-Yazbeck’s be troubled is cultivated by significant conceptual declare. His alter highlights picture notion admit collaborative origination by sincerely quoting, incorporating or creation reference find time for the frown of starkness. His productions have bent shown internationally since depiction mid-nineties squeeze are signify in uninteresting and top secret collections. Misstep was innate in Caracas, Venezuela leading works place in Berlin.
Alessandro Balteo-Yazbeck frequently engages in a research-based look for that confronts cultural, civil, and socioeconomic subjects. His works evasively comment grab hold of, question, suggest provide particular definition philosopher our perceptions of power.
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ALESSANDRO BALTEO-YAZBECK: SALTO ATRÁS
Let&#;s start with an anecdote that became a work. In , Alessandro Balteo-Yazbeck had to spend many nights at a university other than his own. Therefore, he read and wandered in empty classrooms, and on unused blackboards, he developed an improvisation system: drawing links based on nodes and lines, which he understood as «hypothetical relationships» between people, objects, and ideas. These mental maps, or plots, which referred to real events, impossible to decipher, were erased the next day when professors arrived in their classrooms. Nevertheless, in order to fulfill his academic requirements, he resorted to that effective resource in ephemeral art expressions—documentation. Balteo-Yazbeck photographed only some of those drawn blackboards, which would later be exhibited as records of actions in her first solo show in Caracas, in One of them has now been rescued from his archive of «poetic documents» [1] to form part of his second solo exhibition at Carmen Araujo Arte.
What is Balteo-Yazbeck proposing with this gesture, with this incorporation, with this leap backwards in the genealogy of his own work? Commonly, his work has been read as a critical project in which, through strategies such as documentation, research
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Detail of Alessandro Balteo-Yazbeck, UNstabile-Mobile, (From the series Modern Entanglements, U.S. Interventions)
Alessandro Balteo-Yazbeck’s artworks are connected to current political events, which he uses to question propaganda strategies employed to convey values such as freedom, prosperity, security, and utopia, interweaving these principles with oil policies and global economic ties. Working in a variety of media, including photography, film, installation, and found materials, his discourse juxtaposes disparate elements from a variety of disciplines and sources in order to contextualize historical problems, from the Cold War to oil exploitation in present-day circumstances. On this interesting basis of reflection, his works become “poetic documents,” exposing shadows, cracks, and perverse moments in specific situations that reveal multiple layers of meaning and connections fraught with tension. At times, Balteo-Yazbeck refers to or incorporates the works of other artists, like Alexander Calder, as a counterpoint to this own discourse.
Detail of Alessandro Balteo-Yazbeck, #Fos